* now i mix and further edit my already shaped arrangement * at any point i can RECORD my live "arranging" of scenes, slots, etc to my arrangement view (the paradigm view that we are used to in all other DAWS). * scenes can be triggered much as slots using trigger quant. * from top to bottom i can setup SCENES which are the different MIXES i have discovered from above process each part can be any length, looped or un-looped, processed in different ways.
* now - using live's quantized plaback trigger feature (!!) i can preview any number of different combos of bass, guitar, key, drum etc parts. * drag each new looped segment of bass to its own slot in the bass channel * listen back and loop "happening" segments of my bass * start jamming out electric bass ideas in own slot * add say 2 or 3 kick/snare patterns (could be verse chorus) each in own slot any # of different mixes and arrangements of my ideas are thus a drag and drop away. then i can setup as many variations as i like and mix and match in any way possible. i record all of my ideas into slots in the session view. What the session does is enable me to have a virtual "idea bank".
Move multidock in sonar software#
software can let us do much more with musical ideas than stretch them out along tracks from left to right. but have always been so frustrated by the limitation of the enhanced tape/machine paradigm. I have used DAWs since they first came into existence. can you describe how you use it and why it is so helpful for you?
I've played with it, but never really got into it.
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